in Thornfield Hall, like a group fresh from Madame Tussaud's ingenious workshop, and against whose waxen unreality Jane Eyre and Rochester, alive to their very finger-tips, contrast like twin sparks of fire. It was her lack of humor, too, which beguiled her into asserting that the forty "wicked, sophistical, and immoral French novels," which found their way down to lonely Haworth, gave her "a thorough idea of France and Paris,"—alas, poor misjudged France!—and which made her think Thackeray very nearly as wicked, sophistical, and immoral as the French novels. Even her dislike for children was probably due to the same irremediable misfortune; for the humors of children are the only redeeming points amid their general naughtiness, and vexing misbehavior. Mr. Swinburne, guiltless himself of any jocose tendencies, has made the unique discovery that Charlotte Brontë strongly resembles Cervantes, and that Paul Emanuel is a modern counterpart of Don Quixote; and well it is for our poet that the irascible little professor never heard him hint at such a similarity. Surely, to use one of Mr. Swinburne's own incomparable expres-
