mals; but one of the peasant's sons had, in eating, broken open a bone, in order to get at the marrow within, and next morning when the god commanded the goats to get up, one of them limped on the hind-leg, because of the broken bone. At first Thor was in a great rage, and threatened to destroy the whole family, but finally allowed himself to be pacified, and accepted the two sons as hostages.
In the peasant drama we have now before us, the gods Thor and Loki are replaced by a colonel and a lieutenant-colonel, and, instead of two goats, there are two horses and one goat; also the two sons of the peasants are here designated as Wallachians. Everything is of course much distorted and changed, but still all the principal features of the drama, which space forbids me here to enlarge upon, are clearly recognizable—the killing of the goat and its subsequent resurrection, the rage of the colonel, and the transferment of the two Wallachians into his service, being all parts of the performance.
At midnight, or sometimes later, when the guests are about to depart, there prevails in some villages a custom which goes by the name of den Borten abtanzen—dancing down the bride's crown or head-dress. This head-covering, which can only be described as resembling a chimney-pot hat without brim or crown, and from which depend long streamers of ribbon reaching to the ground, is the sign of her maidenhood, which she must lay aside now that she has become a wife, and it is danced off in the following manner: All the married women present, except perhaps a few very old and decrepit ones, join hands, the two brideswomen taking the bride between them. Thus forming a wide circle, they dance backward and forward, round and round the room, sometimes forming a knot in the center, sometimes far apart with outstretched arms, till suddenly, either by accident or on purpose, the chain is broken through at one place, which is the signal for all to rush out into the court-yard, still holding hands. From some dark corner there now springs unexpectedly a stealthy robber, one of the bridesmen, who has been lying there in wait to rob the bride of her crown. Sometimes she is defended by two brothers or relations, who, dealing out blows with twisted handkerchiefs or towels, endeavor to keep the thief at a distance; but the struggle always ends with the loss of the head-dress, which the young matron bewails with many tears and sobs. The brideswomen now solemnly invest her with her new head-gear, which consists in a snowy cap and veil, held together by silver or jeweled pins, which are sometimes of considerable value.
"When the young couple go to church the day after the wedding, they are met at the church-door by a group of masked figures who surround them, singing and hooting, and playfully endeavor to separate the young matron from her husband. If they succeed in so doing, then he must win her back in a hand-to-hand fight with his adversaries, or else he must give a piece of money as her ransom. In general
