himself: we find sculptured upon the early monuments types of the various races—Egyptians, Israelites, negroes, and Libyans—as clearly distinguishable in these paintings and sculptures of from four to six thousand years ago as the same types are at the present day. No one can look at these sculptures upon the Egyptian monuments, or even the fac-similes of them, as given by Lepsius or Prisse d'Avennes, without being convinced that they indicate, even at that remote period, a difference of races so great that long previous ages must have been required to produce it.
Take, next, the social condition of Egypt revealed in these early monuments of art: they force us to the same conclusion. Those earliest monuments show that a very complex society had even then been developed. We not only have a separation between the priestly and military orders, but agriculturists, manufacturers, and traders, with a whole series of subdivisions in each of these classes. The early tombs show us sculptured and painted representations of a daily life which even then had been developed into a vast wealth and variety of grades, forms, and usages.
Take, next, the political and military condition: one fact out of many reveals a policy which must have been the result of long experience. Just as now, at the end of the nineteenth century, the British Government, having found that they can not rely upon the native Egyptians for the protection of the country, are drilling the negroes from the interior of Africa as soldiers, so the celebrated inscription of Prince Una, as far back as the sixth dynasty, speaks of the Maksi or negroes levied and drilled by tens of thousands for the Egyptian army.
Take, next, engineering: here we find very early operations in the way of canals, dikes, and great public edifices, so bold in conception and thorough in execution as to fill our greatest engineers of these days with astonishment. The quarrying, conveyance, cutting, jointing, and polishing of the enormous blocks in the interior of the Great Pyramid alone are the marvel of the foremost stone-workers of our century.
As regards architecture, we find not only the pyramids, which date from the very earliest period of Egyptian history, and which are to this hour the wonder of the world for size, for boldness, for exactness, and for skillful contrivance, but also the temples with long ranges of colossal columns wrought in polished granite, with wonderful beauty of ornamentation, with architraves and roofs vast in size and exquisite in adjustment, which by their proportions tax the imagination, and lead the beholder to ask whether all this can be real.
As to sculpture, we have not only the great Sphinx of Gizeh, so wonderful by its boldness and plastic character, dating from
