of gold and colored decoration on a dark, rich blue ground, of the color of the famous Portland vase. The name kezonta has been adopted to designate the wares made here. The origin of the word is interesting. The trade-mark used was the figure of a turtle, and afterward learning that the Indian name for turtle was kezonta, the proprietors added this name to the device which
Fig. 31.—"Hungarian Faience." Cincinnati Art Pottery Company.
was employed. Pottery in the biscuit and in blue and white glaze has been sold largely to decorators, the forms being generally modifications of the ancient Roman and Greek. It is with regret we learn that this pottery has been recently closed, the stock of ware on hand having been disposed of by auction.
This, in brief, is the history of the industry which in the past few years has made Cincinnati noted as an art center. In the city Art Museum are about eighty pieces of pottery and porcelain, made between 1875 and 1886, commencing with a small porcelain plate, in blue underglaze decoration, which was painted by Miss McLaughlin in the former year and fired at Greenpoint, Long Island. This collection of early experiments also includes a number of interesting pieces made previous to the establishment of the Rookwood Pottery, by its founder, Mrs. Bellamy Storer, then Mrs. Nicholls.
Some original work of high merit is also being done at the Hampshire Pottery of Messrs. J. S. Taft & Co., Keene, N. H. This pottery was started in 1871 for the manufacture of red ware. Lately the firm has been paying particular attention to art specialties, in new and graceful shapes and novel decorations. The ware is a white, opaque body, covered with a variety of effective glazes. About forty hands are employed, nearly half being decorators. Prof. Edward S. Morse, of Salem, Mass., to whom I am indebted for valuable assistance, first called my attention to these productions.
The Chesapeake Pottery, of Baltimore, Md., was started about
