of Cartesianism. The terms are familiar enough. The identity of being and of thought. The objectivity of science. The all-powerfulness of reason. Progress to infinity. Optimism at all times. We can not fail to observe the significance of these categories, and how they contain the germs of almost every great subject debated by the leviathians of the eighteenth century. Yet the nation struggled long before it had strength to shake the incubus of Jansenism from its back, and the stimulating work of Bayle had to be supported by events of actual political significance before the stringent and constraining dogmas of Catholicism relaxed their grasp on thought and conduct. The revocation of the Edict of Nantes, the Quietistic movement with its unseemly attendant episcopal quarrels, and finally the actual persecution of the Jansenists, all pointed inevitably in one direction, and stimulating the anti-religious sentiment and opening the flood gates to immorality, induced a potent reaction of Cartesianism in the fundamental theories of the eighteenth century.
In his treatment of Corneille, Professor Dowden "opens his hands only sufficiently to let out a portion of the truth he holds," but what he says is admirable to a degree. Of his diction he writes: "His mastery in verse of a masculine eloquence is unsurpassed; his dialogue of rapid statement and swift reply is like a combat with Roman short swords; in memorable single lines he explodes, as it were, a vast charge of latent energy, and effects a clearance for the progress of his action." This is well said, but hardly indicates how Corneille soared so often in the region of Spanish bombast, or crept among the insipid flowers of Italian preciosity; defects from which Racine's severer Greek taste held him free.
It is refreshing when we come to Boileau to find an English mind impartial enough to do justice to the much-abused "lawgiver of Parnassus." Criticism has for so long deplored his narrowness that we relish an encomium on his good sense. But beyond this there is an opinion which the general reader would be reluctant to admit, but which Professor Dowden has had the courage and the discernment to enforce, when he writes as follows: "But for Paris itself, its various aspects, its life, its types, its manners, he had the eye and the precise rendering of a realist in art; his faithful objective touch is like that of a Dutch painter." Let the incredulous merely turn to the satires to appreciate the scope and truth of the remark. It is difficult to imagine that a more brilliant and effective account of Boileau's work and influence could be presented within so limited a space; yet might not the author have added that whereas Malherbe is the representative of the aristocratic element in literature, Boileau is the first great incarnation in modern times of the bourgeois spirit?
With regard to La Fontaine it need only be observed that Pro-
