means of objects in the best manner possible is the result sought for and attained most perfectly by those who installed the Government exhibits.
It is, of course, understood that the purpose of the Government exhibit is to familiarize the public with the methods of carrying on the functions of the different departments. Thus, in the post-office exhibit there is shown the entire sequence of postage stamps, both of the United States and foreign countries, the various kinds of mail bags, figures of the mail carriers in their different uniforms, and finally models or pictures of the methods of transportation. The Treasury Department shows the working of the mint by the striking of commemorative medals, while a full series of the existing medals and coins of the country are displayed in cases on the wall. The functions of the Department of the Interior are shown by exhibits of a series of models of some important invention, as, for instance, a sequence showing the development of the sewing machine. In this way—for of course the blanks and other documents are shown—the working of the Patent Office is demonstrated; while the Geological Survey, also of the Department of the Interior, presents a series of minerals, showing the economical wealth of the country, together with its maps and reports, results of work accomplished. Everything can not be shown, but a most excellent idea of what each department does can be had from a study of the exhibits of the Government.
Next in importance to the Government Building is the one devoted to commerce, and here are usually to be found the weak points of our American expositions. In lieu of a series of exhibits showing the progress in a given industry or trade, we find too frequently a collection of nondescript articles without much if any relationship to each other. This is due primarily to a lack of proper organization in soliciting exhibits, and also because the awards or medals of the jurors are so often of no relative value. The second condition is an outcome of the first. To be more specific, in Nashville there were no exhibits from any one of the larger and well-known silver firms, and yet American silverware has a recognized status as one of the most successful of our American art industries. Cut glassware is another branch in which our artisans or art workmen have achieved splendid results, and still there were no exhibits from art glassmakers in Nashville. Certain varieties of art pottery and art glassware, such as the Rookwood pottery and the Tiffany glass, are seldom seen at these smaller expositions. In consequence the juror makes an award to the best article of its kind on exhibition, which may be but a third-rate article compared with others; still it is the best shown in the exposition, and therefore worthy of recognition. Another unfortunate feature must be mentioned at this point. It is the decorative fea-
