time, until the vessel has reached its proper height. The sides of the vessel are then thinned down, and both inside and outside are made smooth by means of small bits of gourds and polishing-stones. The vessel is then ready for a coat of wash, after which it is painted and fired. This method of making pottery is not peculiar to the pueblos, but is found among some of the tribes of South America.
The art of basketry was never brought to a high state among the Hopis, for they confine themselves chiefly to the manufacture of large shallow trays and rough baskets made of the long, pliable
Oraibi Rock, upon which stands Katcin Kiku, the Principal Oraibi Shrine.
leaves of the yucca or of some other fiber. These answer all ordinary domestic requirements. From the reddish-brown branches of a willowlike bush which grows near, the Hopi mother interweaves a cradle board for her children. This cradle is peculiar in its shape, and especially so in its construction, and differs greatly from that in use among the plains Indians. Another singular point to be noted is the fact that this cradle board is not often strapped to the back, but is usually in the arms, or, more often still, is placed on the floor by the side of the mother as she works. The Oraibi mesa, like other table-lands of Tusayan, is destitute of water. The nearest spring is in the valley at the foot of the mesa nearly a mile away. From before sunrise to ten o'clock of every day there is an almost unbroken line of water carriers going and coming from the
