tinuous—raccords continus, as Mayeux puts it. When the adjoining curves are different, the connection is called contrasted—raccords contrastés. In the view all continuous connections are marked a; all contrasted connections are marked b. Now follow these lines up and down slowly and deliberately—not once or twice, but a number of times. See exactly where the connections occur,
Fig. 5.
and where the connections are continuous, and where they are contrasted. In these profiles are shown forth and made evident two of the most important and general laws not only of ornament, but of all artistic composition: First, that connected curves of the same kind must run substantially in the same direction; and, second, that for purposes of strong contrast curves of different kinds must be
