when it commenced, and often did not know until finished. Sometimes a design would be entirely changed. Small pictures were frequently produced by a few rapid movements of the pencil from side to side, the pencil apparently not being lifted, yet the features of the face and general contour of the subject in hand would appear plainly. Voluntary suggestion has little effect on the drawings. After repeated suggestions I have sometimes been able to obtain an allegorical picture, as for instance when I asked for a message from my son, who resided at a distance, a carrier pigeon, having a ribbon around its neck with a letter attached, was produced.
I have tried hard to account for the power or directing mind that produces these pictures, but so far with no satisfactory result. I must say, however, that evidence to me is strong that, in order that the unknown power should have sway, the natural or earthly mind must be for the time being set aside, either entirely, or (what seems to me more reasonable) the unknown power is for the time being the dominant one, but acts in conjunction with the earthly mind. Although while drawing I feel more or less drowsy, my senses seem in some respects to be very keen. To my eyes the pictures usually appear highly exaggerated in beauty as well as in distinctness.
So much is this the case that on the completion of a picture and having taken it up to examine it, the distinctness and beauty which were so apparent while drawing, have departed. Frequently, while drawing, the picture will be illuminated by delicate colors; and a feeling of great disappointment occurs when, on the completion of the picture, I find that not only the colors have disappeared, but the fine points of the picture also.
One strong feeling is left in my mind that whatever directs the pencil is all-powerful, and that nothing is too difficult for its performance if it only chooses to assert its power.
