syntonization of two stations, not by syntonizing the receiver for the exceedingly high frequency oscillations of the individual electric waves, but to syntonize it for the much lower frequency, corresponding to that of the intervals between the groups of waves. Thus, for instance, if an ordinary simple transmitting aerial is set up, the production of sparks between the spark balls results in the emission of short trains of waves, each of which may consist of half a dozen or more individual waves, the time of production of the whole group being very small compared with the interval between the groups. M. Blondel proposes, however, to syntonize the receiver, not for the high frequency period of the waves themselves, which may be reckoned in millions per second, but for the low frequency period between the groups of waves, which is reckoned in hundreds per second. Thus, for instance, if sparks are made at the rate of fifty or a hundred per second, they can be made to actuate the telephone receiver and so produce in the telephone a sound corresponding to a frequency of 50 or 100. In other words, to make a low musical note or hum. This continuous sound can be cut up, by means of a key placed in the primary circuit of the transmitting arrangement, into long or short periods, and hence the letters of the alphabet signal.
M. Blondel's arrangements comprise a Mercadier's monotone telephone and either a coherer or a particular form of vacuum tube as a kumascope. On August 16, 1898, M. Blondel deposited with the Academy of Sciences in Paris a sealed envelope containing a description of his improvements in syntonic wireless telegraphy, which was opened on May 19, 1900.[1] The arrangement of the receiving apparatus was as follows: A single battery cell keeps a condenser charged until the kumascope is rendered conductive by the oscillations coming down the aerial; and under these circumstances the condenser discharges through the telephone and causes a tick to be heard in it. If the trains of waves are at the rate of 50 or 100 per second, these small sounds run together into a musical note, and this continuous hum can be cut up into long and short spaces, in accordance with the Morse alphabet signals. The telephone must not be an ordinary telephone, capable of being influenced by any frequency, but be one which responds only to a particular note, and under these conditions the receiving arrangement is receptive only when the trains of waves arrive at certain regular predetermined intervals, corresponding with the tone to which the telephone is sensitive.
- ↑ See Comptes Rendus, May 21, 1900; Rapports du Congrès International d'Electricité, Paris, 1900, p. 341.
