almost impossible to tell where the pieces overlie one another. The sheet is then spread upon the grass and exposed to the sun to bleach. These sheets may be very large, one we measured being 160 feet long and 12 feet wide, but Williams mentions a sheet 180 yards long!
After being bleached, they produce a pattern upon the tapa with a brown dye derived from the Aleurites triloba, the dull color of which is relieved at intervals by large black circular spots, thus by contrast giving a bright and effective pattern. This process of decorating is described in detail by Thomas Williams in his most interesting work upon "Fiji and the Fijians." Strips of bamboo are placed in the form of the design upon a flat surface, or the design is carved in relief in a board. Then the tapa is stretched over the template and the cloth rubbed with the dye, whereupon the color adheres to all raised places and fails to appear in the hollows, and a "printed" pattern is produced. So characteristic are the checquered patterns of the tapas of the several islands that the locality of each piece can be determined upon the most casual inspection. The black and white tapas of Taviuni are most effective, and those of Lakemba probably the most artistic made in the group. It seems strange that although these tapas have for ages been printed in designs, little or no meaning was associated with the details of the pattern. There were, however, certain appropriate patterns for weddings and other ceremonies, and the flags of the various classes of warriors were more or less distinctive. Thus at Rewa the banner of the king's or high chief's party was white with four or five vertical black stripes at one end, that of the vunivalu or general had horizontal stripes, and that of the land owners was plain white. Yet the tapa flags never became tribal emblems, on the one hand, or personal coats-of-arms, on the other, but remained merely class badges, and thus no precise symbolism was associated with the designs.
In groups other than Fiji the inner bark of the bread-fruit tree, and of the yellow hibiscus Paritium tiliaceum are used in making tapa. Yellow turmeric, bone charcoal, brilliant red and rich brown dyes, are displayed upon tapas of the Pacific.
The art must surely disappear, for Manchester is now printing calicos in the patterns of the native tapas and these are being sold to the islanders, who prefer them to designs of their own making. In some groups traders have brought in anilin dyes which the natives call "missionary colors," the word "missionary" being applied to almost any newly introduced thing. Thus is an ancient and primitive art being debased, and another means of employment must disappear from native life. At the time of the author's visits the beating of the ikis(mallets) was the most characteristic sound in a Fijian village, but in a few more years this too must go the way of many another activity which once engrossed the attention and stimulated the imagination of the natives.
Tapa in Fiji was once used for the white turbans of the chiefs and the simple waist band or malo worn by all men. In the case of chiefs
