possible: and therefore it is obvious that no thorough and comprehensive Review of such works, even by the ablest critic, can be produced in a half or even in a whole year. It is of course understood that the ordinary critics do not make this distinction, but unhesitatingly seize upon all that comes under their notice without discrimination; and also that the same judgment is pronounced upon truly original works, as upon the most thoroughly worthless productions. But even this fault is no misfortune except to themselves; for nothing really good is lost in the stream of Time:—how long soever it may lie defamed, misunderstood, and disregarded, the day at length arrives when it breaks its way through such hindrances and comes forth into light. But any one who should feel aggrieved by such perverted views of his writings,—who should vex himself at such attacks, instead of compassionately laughing at them, would only show thereby that his opponent had a certain amount of truth on his side,—that his own individual personality had not yet wholly disappeared in the Idea, and in the Knowledge and Love of Truth;—that therefore this personal feeling may indeed have shown itself in his work, and that the more offensively, the purer the expression of the Idea with which it is associated:—and such an one receives thereby the most urgent and impressive summons to retire within his own soul and to purify himself. ‘Do they regard this matter falsely?’—thinks he who is pure within himself:—‘it is to their prejudice, not mine; and that they do regard it falsely, is not the fault of an evil will but of a feeble vision;—they themselves would be glad indeed were it possible for them to come to the truth.’—Finally it is to be noticed as an advantage arising from the creation of the critic species, that he who has no great pleasure in reading, or has not much time to devote to that purpose, no longer requires to read books; but by mere reference to the literary Journals finds the whole Literature