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Pre-Raphaelitism

Then there is the vignette in the illustrations to Scott. That is what he saw as he was going home, meditatively; and the revolving lighthouse came blazing out upon him suddenly, and disturbed him. He did not like that so much; made a vignette of it, however, when he was asked to do a bit of Calais, twenty or thirty years afterwards, having already done all the rest.

Turner never told me all this, but anyone may see it if he will compare the pictures. They might, possibly, not be impressions of a single day, but of two days or three; though in all human probability they were seen just as I have stated them[1]; but they are records of successive impressions, as plainly written as ever traveller's diary. All of them pure veracities. Therefore immortal.

I could multiply these series almost indefinitely from the rest of his works. What is curious, some of them have a kind of private mark running through all the subjects

  1. And the more probably because Turner was never fond of staying long at any place, and was least of all likely to make a pause of two or three days at the beginning of his journey.