would have its share in this musical evening. But she had said she would go: it would be very unkind to Olga to stop away now, for Olga must know by this time her passion for music, so she went. She sincerely hoped that she would not be conducted to the seat of honour, and be obliged to say a few encouraging words to the string-quartet afterwards.
Once again she came rather late, for the music had begun. It had only just begun, for she recognised—who should recognise if not she?—the early bars of a Beethoven quartet. She laid her hand on Peppino's arm.
"Brinton: Beethoven," she said limply.
She slipped into a chair next Daisy Quantock, and sat in her well-known position when listening to music, with her head forward, her chin resting on her hand, and the far-away look in her eyes. Nothing of course could wholly take away the splendour of that glorious composition, and she was pleased that there was no applause between the movements, for she had rather expected that Olga would clap, and interrupt the unity of it all. Occasionally, too, she was agreeably surprised by the Brinton string-quartet: they seemed to have some inklings, though not many. Once she winced very much when a string broke.
Olga (she was rather a restless hostess) came up to her when it was over.
"So glad you could come," she said. "Aren't they divine?"
Lucia gave her most indulgent smile.
"Perfect music! Glorious!" she said. "And they really played it very creditably. But I am
