background a man clad in a loose dark upper coat, which reached a little below the knees.
The same man reappeared in the second picture, alone, but carrying a tall staff or hunting spear, and advancing up a road, at the top of which stood a circular building with an arched doorway and, within the doorway, the head of a lion. The jaws of this beast were open and depicted with the same intense red as the Saviour's blood.
Close beside this, but further to the east, was a large ship, under sail, which from her slanting position appeared to be mounting over a long swell of sea. This vessel had four masts; the two foremost furnished with yards and square sails, the others with lateen-shaped sails, after the Greek fashion; her sides were decorated with six gaily painted bands or streaks, each separately charged with devices—a golden saltire on a green ground, a white crescent on a blue, and so on; and each masthead bore a crown with a flag or streamer fluttering beneath.
Of the frescoes these alone were perfect, but fragments of others were scattered over the wall, and in particular I must mention a group of detached human limbs lying near the ship—a group rendered conspicuous by an isolated right hand and arm drawn on a larger scale than the rest. A gilded circlet adorned the arm, which was flexed at the elbow, the hand horizontally placed, the forefinger extended towards the west in the direction of the picture of the
