Mathur Ghose himself. The polished plastering of the walls was clean enough, though not unfrequently could stains and scratches be seen defacing its purity. A little towards one end of the room stood a massive and high cot of teak wood on the uncovered floor over which loosely hung a striped gauge curtain, rather disproportioned to the wooden frame. A few huge almirahs and chest of drawers of the same material, the varnish of which had considerably been soiled by time and rough usage, lined the foot of the walls opposite to the cot. One or two escritoirs, as well as some common country boxes and chests decorated with enormous brass plates across their lids and on the edges, and ornamented with semi-lunes of Chandan,[1] completed the wooden furniture of the room. Two paintings of the largest size, from one of which lowered the grim black figure of Kali, and on the other of which was displayed the crab-like form of Durga, faced each other from high position on two opposite walls.
On the two remaining walls, and placed lower than the terrific Kali and the gorgeous Durga, might be seen arrayed a few specimens of European art, and the exquisite conception of the Virgin and Child might itself be seen adorning the chamber the inmates of which had little knowledge what the artist's genius and engraver's skill had strove to represent. A female of about twenty-eight years of age sat on a window sill. Her face and figure were still handsome. Her
- ↑ Sandal-wood.
