which had been the scene of Matangini's temporary danger and escape on the previous night. The sun had run a two hours' course in the heavens. Beneath a young tamarind tree, where the surrounding underwood lent a sort of cover, Matangini sat on the moist grass. Her clothes were wet; her sari had been soiled by mud, her usually curly tresses, washed by the drizzling rain, now fell in straight and loosely-flowing bands on her neck and arms; and her head was slightly bent to permit the sunbeams to play on that raven hair, darker than any cloud which had ever opposed their progress through the atmosphere. Close by her was to be seen the rather full and developed figure of Kanak shining with recently rubbed oil. A dirty napkin thrown over her neck, the brass kalsi[1] maintaining its capacious but as yet empty bulk close by its mistress, and the blue mishi[2] which had recently been called upon to lend its hue to her teeth, showed that the morning ablutions had drawn Kanak out of her home, but that important business had not been hitherto performed. The friends were evidently engaged in an earnest and interesting conversation. The reader need not be informed that with much of the subject of this interesting dialogue, he is already acquainted. Matangini was pouring cautiously and in whispers a narrative of the occurrences of the eventful night into the faithful and discreet ears of her only friend. The concluding part of this conversation we shall, with
