CHAPTER XIII
THE PROTECTRESS
THE house of Mathur Ghose was a genuine specimen of mofussil magnificence united with mofussil want of cleanliness.
From the far-off paddy fields you could descry through the intervening foliage, its high palisades and blackened walls. On a nearer view might be seen pieces of plaster of venerable antiquity prepared to bid farewell to their old and weather-beaten tenement. Some rude and unpainted shutter hanging by a single hinge whose companion had left the precincts years before, while in others both hinge and plank had left little trace of their existence and had been supplanted by the less pretentious tribe of tát-screens.[1] But a small portion of the huge edifice had ever been plastered on the outside. On the favoured region which boasted such decoration, and which no doubt composed the sanctum sanctorum of some great man in the house, if not Mathur Ghose himself, you might descry a few apologies for Venetians, but window panes the giant house had eschewed as too frail a substance to be permitted to ornament its limbs. By far the greater part
- ↑ Split bamboo.
