40. Poet, painter, and etcher, 1811. Author of Poems by a Painter, &c. His autobiographical notes were published in 1892, soon after his death.
41. Painter, 1821-93. Alluded to by Mr. W. M. Rossetti as, first and foremost, his brother's chief intimate through life, "on the unexhausted resources of whose affection and converse he drew incessantly for long years." Ford Madox Brown bore an important part in directing Rossetti's studies, and greatly influenced for good his subsequent life. They became acquainted a few months before the time the Præ-Raphaelite scheme was put forward. Although he did not think fit to join the Brotherhood in any direct or complete sense—because he disbelieved in the advantages of cliques—he bore a weighty part in supporting the movement, and did more than any other to sway its members. And he always felt a keen sympathy towards the aspirations he largely assisted to mould. The friendship existing between Brown and Rossetti, which almost amounted to brotherhood, and extended over the latter's after life, was formed in this way. In March, 1848, Rossetti, who had been profoundly struck with his work, wrote Brown for permission to attend his studio as a pupil, warmly extolling his paintings, and adding that if he ever did anything on his own account, it would be under the influence of his inspiration. Brown courteously granted the request which had been made, and accordingly Rossetti entered his studio, not as a paying pupil, but as a friend. They were ultimately separated by Brown's removal to Manchester for the purpose of executing the frescos in the Town Hall there.
42. Poet and musician, born somewhere towards 1850, and living abroad, whither he went several years ago. About 1875, he published a volume of poems which, although rather odd, display much ability. He
