scripts were recovered and published in the following year. Howell undertook the task of exhumation; all was found as originally left, although the manuscripts had to undergo a long process of disinfection before they could be made use of.
56.Morris, Marshall, Faulkner, and Co.
57.Painter, 1833-98, A.R.A. 1885, created a Baronet, 1894. A staunch and sympathetic comrade of Rossetti's, whose influence was always strong upon him. He originally intended to enter the Church, but coming under the sway of Rossetti at Oxford, he abandoned the idea and adopted painting as a profession. Rossetti's disposition towards him was always cordial and affectionate, and he kept in close touch with him almost to the last.
58.It is uncertain where this series exists in glass.
59.The designs of the Parable were executed for the church of S. Martin-on-the-Hill, Scarborough. The series begins with the Labourers of the Vineyard, and ends with the procession of the rebellious vineyard workers to punishment.
60.Some of the St. George and the Dragon series, perhaps all, were turned into water-colour pictures (and bought by the late Mr. Geo. Rae, of Birkenhead); but Mr. W. M. Rossetti is strongly of opinion that this was not done with the Parable series.
61.Into his first exhibited painting, hereafter noted, Rossetti introduced the portraits of his mother and his sister Christina. In the first of his Three Designs from Tennyson's Poems—"Mariana in the South"—the face of his wife is seen; again, with that of his sister, in the second—"King Arthur 'watched by weeping Queens' in the vale of Avalon"; and again in the third—" S. Cecilia." Queen Guinevere (now in the Dublin
