16
RECOLLECTIONS OF D. G. ROSSETTI
(where for a couple of centuries or more it had lain hidden under repeated coats of whitewash), which had been drawn from the poet himself by his friend Giotto, who is alluded to in his Purgatorio as the coming rival of Cimabue.9 The second was a copy of an old Italian oil, or rather fresco painting, of the same period judging from the style of work, by an unknown artist.
Both paintings were most characteristic, and required very careful reproduction, but I managed this successfully enough to please Rossetti and make him wish to see me, and, an early day having been arranged, I called upon him.
