at the ridge of the nose, such as I have often noticed in men possessed of great individuality. A thick, but not heavy moustache partly concealed a well-formed and somewhat sensuous mouth, and at this time he wore a trimmed beard of a deep chestnut brown, with the cheeks shaven; his hair was much darker in colour, curly, and inclined to thinness. He was about 5 feet 712 inches in height—his drawing-room door was a faithful recorder not only of his own stature but that of most of his intimate friends. Although there was a tendency to a rather too extensive form with him, this was not particularly noticeable, owing to his shapely figure and easy carriage. He possessed a voice which was peculiarly rich and musical in tone; and when, later, I had opportunities of hearing him read his poems, which he did from time to time to some of his intimate friends, it was delightful to listen to him. His hands were small and very white.15 Of jewellery he made no display; all that he wore was an old-fashioned gold chain attached to his watch. He was equally unassuming in dress. For studio use he generally wore a loose overcoat, with capacious pockets into which he could easily thrust a good-sized memorandum book, which was indispensable to him, as it was his custom to jot down his thoughts either for poetry or painting as they arose in his mind.
Rossetti invited me into his studio, a large and roomy apartment, well lighted, and liberally stocked with Chippendale chairs and lounges, and various other inviting
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