the little band of the Præraphaelite Brotherhood in 1849,66 when he was about twenty years of age. The subject was "Mary the Virgin," who is represented seated, and embroidering a white lily upon a piece of dark-coloured cloth or silk, under the guidance of S. Elizabeth. In the foreground is a lily, growing from a vase, which she is evidently copying, whilst a child angel is employed in watering it.67 I learnt from Rossetti, that it was to a great extent painted under the instruction of Ford Madox Brown, from whom he had gained much of his knowledge in the practice of oil painting, and who had contributed to the same exhibition a work of his own, the subject being taken from King Lear.68
Howell, who had joined us, wanted to show me a bit of old oak carving in Rossetti's bedroom, and, as the door was open, we went in. I thought it a most unhealthy place to sleep in. Thick curtains, heavy with crewel work in 17th century designs of fruit and flowers (which he had bought out of an old furnishing shop somewhere in the slums of Lambeth), hung closely drawn round an antiquated four-post bedstead.69 A massive panelled oak mantelpiece reached from the floor to the ceiling, fitted up with numerous shelves and cupboard-like recesses, all filled with a medley of brass repoussé dishes, blue china vases filled with peacock feathers, oddly-fashioned early English and foreign candlesticks, Chinese monstrosities in bronze, and various other curiosities, the whole surmounted by an ebony and ivory
D—2
