RECOLLECTIONS OF FULL YEARS
jects of art and nobody could see them without deciding that, in that particular setting at least, the Japanese objects were far the more beautiful.
The Japanese Court is much inclined to imitate things European and the results are sometimes astonishing. Years later, when my husband was in Japan without me, the Empress presented him with a tapestry for me which had been copied from a Gobelin piece. It represented the meeting of Columbus and Isabella, and, it shows the most exquisite workmanship, but the faces have a curiously Oriental cast.
There is a story in connection with this tapestry which I think I must tell. My husband was Secretary of War when it was presented to me; and I say me with emphasis, because thereby hangs the story. He brought it home and displayed it with great pride and satisfaction, but it was so enormous and, from my standpoint, so useless, that I rather protested and wondered why, as long as he was getting such a gorgeous present he couldn't have managed in some way to make its size correspond with my circumstances.
"Oh, well," said he, "never mind. I'm going to present it to the Smithsonian Institute anyway, because you know, my dear, it is against the Constitution for an official in the United States government to accept any kind of favours from foreign courts."
This was not the first time in my life that I had met the Constitution face to face, but theretofore I had been able to accept its decrees with what I had hoped was patriotic resignation. But now that tapestry suddenly became to me a most desirable thing. It had been sent to me by the Empress of Japan and I wanted to enjoy the mere possession of it,― at least for awhile. So, as my husband would say, I took the question up with him. I tried to convince him that I was not an official of the United States government and that he, as an official, had nothing whatever to do with my present from the Empress of Japan. He stood firmly by the Con-
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