OLDRING'S KNELL
ning water from Amber Spring. Bitter waters for Jane Withersteen! Men and women stopped to gaze at him and the horses. All knew him; all knew the blacks and the bay. As well as if it had been spoken, Venters read in the faces of men the intelligence that Jane Withersteen's Arabians had been known to have been stolen. Venters reined in and halted before Dyer's residence. It was a low, long, stone structure resembling Withersteen House. The spacious front yard was green and luxuriant with grass and flowers; gravel walks led to the huge porch; a well-trimmed hedge of purple sage separated the yard from the church grounds; birds sang in the trees; water flowed musically along the walks; and there were glad, careless shouts of children. For Venters the beauty of this home, and the serenity and its apparent happiness, all turned red and black. For Venters a shade overspread the lawn, the flowers, the old vine-clad stone house. In the music of the singing birds, in the murmur of the running water, he heard an ominous sound. Quiet beauty—sweet music—innocent laughter! By what monstrous abortion of fate did these abide in the shadow of Dyer?
Venters rode on and stopped before Tull's cottage. Women stared at him with white faces and then flew from the porch. Tull himself appeared at the door, bent low, craning his neck. His dark face flashed out of sight; the door banged; a heavy bar dropped with a hollow sound.
Then Venters shook Black Star's bridle, and, sharply trotting, led the other horses to the center of the village. Here at the intersecting streets and in front of the stores he halted once more. The usual lounging atmosphere of that prominent corner was not now in evidence. Riders and ranchers and villagers broke up what must have been absorbing conversation. There was a rush of many feet, and then the walk was lined with faces.
Venters's glance swept down the line of silent stone-
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