subjects “when compared with ancient models, such as the sublime history of Joseph.” The excessive minuteness of detail is detrimental to such works, which for that reason cannot become universal.
“Modern works of art are spoiled by a realism which might more justly be called the provincialism of art.”
Thus Tolstoy unhesitatingly condemns the principle of his own genius. What does it signify to him that he should sacrifice himself to the future—and that nothing of his work should remain?
“The art of the future will not be a development of the art of the present: it will be founded upon other bases. It will no longer be the property of a caste. Art is not a trade or profession: it is the expression of real feelings. Now the artist can only experience real feelings when he refrains from isolating himself; when he lives the life natural to man. For this reason the man who is sheltered from life is in the worst possible conditions for creative work.”
In the future “artists will all be endowed.” Artistic activity will be made accessible to all “by the introduction into the elementary schools of instruction in music and painting, which will be taught to the child simultaneously with the first principles of grammar.” For the rest, art will no longer call for a complicated technique, as at present; it will move in the direction of simplicity, clearness, and conciseness, which are the
