composed a song, an oratorio, a Psalm, and four operas.[1] On April 12, or 13, 1737, the machine broke down. He was smitten with paralysis, his right side was attacked, his hand refused all service, and even his mind was affected. In his absence his theatre closed its doors, bankrupt.[2] During the whole of the summer Handel remained in a pitiful state of depression. He refused to care for anything; all hope was lost. Finally, his friends succeeded in inducing him, towards the end of August, to try the baths at Aix-la-Chapelle. The cure had a miraculous effect. In a few days he was restored. In October he returned to London, and immediately the refreshed giant resumed the struggle, writing in three months two operas, and the magnificent Funeral Anthem on the death of the Queen.[3]
Sad days were in store, however. His creditors seized him, and he was threatened with imprisonment. Happily a sympathetic movement was inaugurated in favour of the artist so harassed by his kind. A benefit concert, to which his pride reluctantly submitted,[4] at the end of March, 1738,
- ↑ Alexander's Feast (January, 1736), Atalanta (April), Wedding Anthem (April), Giustino (August), Arminio (September), Berenice (December).
- ↑ June 1, 1737. But on June 11 the rival opera also closed its doors, ruined. Handel, like Samson, dragged down in his own fall the enemy whom he wished to annihilate.
- ↑ On November 15, 1737, Handel commenced Faramondo; from December 7 to 17 he wrote the Funeral Anthem. On December 24 he finished Faramondo. On December 25 he commenced Serse.
- ↑ He said that these kinds of concerts were but a way of begging.
