Eight days after having finished The Messiah (that is to say, before he had yet arrived in Ireland) Handel had commenced Samson, which was finished in five weeks, from the end of September to the end of October, 1741. However, he did not give it in Dublin. Doubtless he could not find the interpreters which he desired for this colossal drama, rich in choral scenes and in difficult rôles.[1] Perhaps also he reserved the work for the following season in Dublin, when he hoped to return, but the expected invitation which he awaited in London did not come, and it was in London that Samson reached its first hearing on February 18, 1743.
To this heroic oratorio, based on the sublime Samson Agonistes of Milton,[2] succeeded a light opera, which bore, nevertheless, the name of oratorio, the libretto of which was based on a poem by Congreve: Semele (June 3 to July 4, 1743). It afforded a relief for him between these two Herculean works. In the same month in which he finished Semele, Handel wrote his monumental
