J. A. Fuller-Maitland, The Age of Bach and Handel (The Oxford History of Music, Vol. IV). 1902, Oxford.
R. A. Streatfeild, Handel. 1909, London.
(This book is one of the first in England which has freed the figure of Handel from the false mass of moralising and teaching under which the author of the Messiah was buried. He shows the richness and freedom of Handel's work and rectifies several points in the German biographies.)
Adimolo, G. F. Handel in Italia.
Sedley Taylor, The Indebtedness of Handel to Works by other Composers. 1906, Cambridge.
P. Robinson, Handel and his Orbit. 1908, London.
(These two last books are concerned with the question of Handel's plagiarisms.)
F. Volbach, Die Praxis der Hændel-Aufführung, 1889. Thesis for Doctorate.
(On the Orchestra of Handel.)
Hugo Goldschmidt, Die Lehre von der vocalen Ornamentik. 1907.
(On the vocal execution of Handel's works, and particularly on the question of Handel's ornaments. This matter has been the subject of numerous discussions in the numbers of the International Musical Gazette, especially by Max Seiffert.)
Weitzmann, Geschichte der Klaviermusik, Vol. I, 1899
(continued and completed by Seiffert and Fleischer).
(For the Clavier Works of Handel.)
Ernest David, Handel. 1884.
Camille Bellaigue, Les Époques de la Musique, Vol. I, 1909,
