60
ROMEO AND JULIET
[ACT II.
To cease thy suit,[C 1][E 1] and leave me to my grief: |
Rom. | So thrive my soul,—[C 2] |
Jul. | A thousand times good night![Exit.[C 3] |
Rom. | A thousand times the worse, to want thy light.[C 4] 155 Love goes toward love, as school-boys from their books, But love from love, toward[C 5] school[E 2] with heavy looks. [Retiring slowly. |
Re-enter Juliet, above.
Jul. | Hist! Romeo, hist!—O, for a falconer's voice, To lure this tassel-gentle[C 6][E 3] back again! Bondage is hoarse,[E 4] and may not speak[C 7] aloud; 160 Else would I tear the cave[E 5] where Echo lies, |
- ↑ 152. suit] The reading suit is confirmed by the occurrence of "to cease your suit" in the corresponding passage of Brooke's poem.
- ↑ 157. toward school] Rolfe compares As You Like It, II. vii. 145—Jaques' "whining schoolboy."
- ↑ 159. lure this tassel-gentle] Madden, Diary of Master William Silence, p. 157: "The males of the hawks principally used in falconry—the peregrine and goshawk—were called 'tiercels' or 'tercels' [corrupted to tassels], because (it is said) they are smaller than the females by one third; the male of the nobler species—the peregrine—being distinguished by the addition of the word 'gentle.' There was thus a subtle tribute paid by Juliet to her lover's nobility of nature." Minsheu, Guide into the Tongues, gives rapel as a synonym for lure for a hawk, from Fr. "Rapeler, i., reappellare, i., to repeale or call backe." In Mabbe's translation of Gusman de Alfarache, 1623 (quoted by Rolfe), tassel-gentles, used metaphorically, is explained in the margin as "Kinde Lovers." In Massinger's The Guardian, I. i., the tiercel gentle is named as the bird "for an evening flight."
- ↑ 160. hoarse] Daniel reads husht, and in line 162 for mine he reads Fame (rhyming with name).
- ↑ 161. tear … cave] Milton's ear perhaps was haunted by this passage;
Eng. Dict. quotes Cogan, Haven of Health: "Ill seeds … shew not themselves by and by, but yet in processe of time they bud forth."