upper region of the fat cheeks contrasted with the surrounding sallowness. Three rows of pearls and a lower necklace of gold reposed on the horizontal cushion of her neck; the embroidered border of her trailing black-velvet gown and her embroidered long-drooping sleeves of rose-coloured damask, were slightly faded, but they conveyed to the initiated eye the satisfactory assurance that they were the splendid result of six months' labour by a skilled workman; and the rose-coloured petticoat, with its dimmed white fringe and seed-pearl arabesques, was duly exhibited in order to suggest a similar pleasing reflection. A handsome coral rosary hung from one side of an inferential belt, which emerged into certainty with a large clasp of silver wrought in niello; and, on the other side, where the belt again became inferential, hung a scarsella, or large purse, of crimson velvet, stitched with pearls. Her little fat right hand, which looked as if it had been made of paste, and had risen out of shape under partial baking, held a small book of devotions, also splendid with velvet, pearls, and silver.
The figure was already too familiar to Tito to be startling, for Monna Brigida was a frequent visitor at Bardo's, being excepted from the sentence of banishment passed on feminine triviality, on the ground of her cousinship to his dead wife and her early care for Romola, who now looked round at her with an affectionate smile, and rose to draw the
