breath had been preserved as by a miracle, that he might make a disclosure to his sister."
Tito felt that his fate was decided. Again his mind rushed over all the circumstances of his departure from Florence, and he conceived a plan of getting back his money from Cennini before the disclosure had become public. If he once had his money he need not stay long in endurance of scorching looks and biting words. He would wait now, and go away with Cennini and get the money from him at once. With that project in his mind he stood motionless—his hands in his belt, his eyes fixed absently on the ground. Nello, glancing at him, felt sure that he was absorbed in anxiety about Romola, and thought him such a pretty image of self-forgetful sadness, that he just perceptibly pointed his razor at him, and gave a challenging look at Piero di Cosimo, whom he had never forgiven for his refusal to see any prognostics of character in his favourite's handsome face. Piero, who was leaning against the other doorpost, close to Tito, shrugged his shoulders: the frequent recurrence of such challenges from Nello had changed the painter's first declaration of neutrality into a positive inclination to believe ill of the much-praised Greek.
"So you have got your Fra Girolamo back again, Cronaca? I suppose we shall have him preaching again this next Advent," said Nello.
"And not before there is need," said Cronaca,
