stepfather Nofri, or anybody. His face is yellow, and he has deep marks in it; and his hair is white, but there is none on the top of his head: and his eyebrows are black, and he looks from under them at me, and says, 'Poor thing!' to me, as if he thought I was beaten as I used to be; and that seems as if he couldn't be in his right mind, doesn't it? And I asked him his name once, but he couldn't tell it me: yet everybody has a name—is it not true? And he has a book now, and keeps looking at it ever so long, as if he were a padre. But I think he is not saying prayers, for his lips never move;—ah, you are angry with me, or is it because you are sorry for the old man?"
Tito's eyes were still fixed on Tessa; but he had ceased to see her, and was only seeing the objects her words suggested. It was this absent glance which frightened her, and she could not help going to kneel at his side again. But he did not heed her, and she dared not touch him, or speak to him: she knelt, trembling and wondering; and this state of mind suggesting her beads to her, she took them from the floor, and began to tell them again, her pretty lips moving silently, and her blue eyes wide with anxiety and struggling tears.
Tito was quite unconscious of her movements—unconscious of his own attitude: he was in that wrapt state in which a man will grasp painful roughness, and press, and press it closer, and never feel it. A
