she was going to turn her back for ever. She put her thumb and her forefinger to her betrothal ring; but they rested there, without drawing it off, Romola's mind had been rushing with an impetuous current towards this act for which she was preparing: the act of quitting a husband who had disappointed all her trust, the act of breaking an outward tie that no longer represented the inward bond of love. But that force of outward symbols by which our active life is knit together so as to make an inexorable external identity for us, not to be shaken by our wavering consciousness, gave a strange effect to this simple movement towards taking off her ring—a movement which was but a small sequence of her energetic resolution. It brought a vague but arresting sense that she was somehow violently rending her life in two: a presentiment that the strong impulse which had seemed to exclude doubt and make her path clear might after all be blindness, and that there was something in human bonds which must prevent them from being broken with the breaking of illusions.
If that beloved Tito who had placed the betrothal ring on her finger was not in any valid sense the same Tito whom she had ceased to love, why should she return to him the sign of their union, and not rather retain it as a memorial? And this act, which came as a palpable demonstration of her own and his identity, had a power, unexplained to herself, of
