and chained behind him, as he too disappeared among the shining bushes.
Those ready and firm answers argued a great change in Baldassarre since the last meeting face to face with Tito, when the dagger broke in two. The change had declared itself in a startling way.
At the moment when the shadow of Tito passed in front of the hovel as he departed homeward, Baldassarre was sitting in that state of after-tremor known to every one who is liable to great outbursts of passion: a state in which physical powerlessness is sometimes accompanied by an exceptional lucidity of thought, as if that disengagement of excited passion had carried away a fire-mist and left clearness behind it. He felt unable to rise and walk away just yet; his limbs seemed benumbed; he was cold, and his hands shook. But in that bodily helplessness he sat surrounded, not by the habitual dimness and vanishing shadows, but by the clear images of the past: he was living again in an unbroken course through that life which seemed a long preparation for the taste of bitterness.
For some minutes he was too thoroughly absorbed by the images to reflect on the fact that he saw them, and note the fact as a change. But when that sudden clearness had travelled through the distance, and came at last to rest on the scene just gone by, he felt fully where he was: he remembered Monna Lisa and Tessa. Ah! he then was the mysterious
