among the chief personages in Florence, and had therefore had large experience as a spiritual director. But his face had the vacillating expression of a mind unable to concentrate itself strongly in the channel of one great emotion or belief, an expression which is fatal to influence over an ardent nature like Romola's. Such an expression is not the stamp of insincerity; it is the stamp simply of a shallow soul, which will often be found sincerely striving to fill a high vocation, sincerely composing its countenance to the utterance of sublime formulas, but finding the muscles twitch or relax in spite of belief, as prose insists in coming instead of poetry to the man who has not the divine frenzy. Fra Salvestro had a peculiar liability to visions, dependent apparently on a constitution given to somnambulism. Savonarola believed in the supernatural character of these visions, while Fra Salvestro himself had originally resisted such an interpretation of them, and had even rebuked Savonarola for his prophetic preaching. Another proof, if one were wanted, that the relative greatness of men is not to be gauged by their tendency to disbelieve the superstitions of their age. For of these two there can be no question which was the great man and which the small.
The difference between them was measured very accurately by the change in Romola's feeling as Fra Salvestro began to address her in words of exhortation and encouragement. After her first angry resistance
