popularity, and to Tito's natural disposition to overcome ill-will by good-humour, there was added the unimpassioned feeling of the alien towards names and details that move the deepest passions of the native.
Arrived where they could get a good oblique view of the Duomo, the party paused. The festoons and devices that had been placed over the central doorway excited some demur, and Tornabuoni beckoned to Piero di Cosimo, who, as was usual with him at this hour, was lounging in front of Nello's shop. There was soon an animated discussion, and it became highly amusing from the Frenchman's astonishment at Piero's odd pungency of statement, which Tito translated literally. Even snarling onlookers became curious, and their faces began to wear the half-smiling, half-humiliated expression of people who are not within hearing of the joke which is producing infectious laughter. It was a delightful moment for Tito, for he was the only one of the party who could have made so amusing an interpreter, and without any disposition to triumphant self-gratulation he revelled in the sense that he was an object of liking—he basked in approving glances. The rainbow light fell about the laughing group, and the grave church-goers had all disappeared within the walls. It seemed as if the piazza had been decorated for a real Florentine holiday.
Meanwhile in the grey light of the unadorned
