loggia, as if there could be anything in the wide landscape that might determine her action; as if there could be anything but roofs hiding the line of street along which Savonarola might be walking towards betrayal.
If she went to her godfather, might she not induce him, without any specific revelation, to take measures for preventing Fra Girolamo from passing the gates? But that might be too late. Romola thought, with new distress, that she had failed to learn any guiding details from Tito, and it was already long past seven. She must go to San Marco: there was nothing else to be done.
She hurried down the stairs, she went out into the street without looking at her sick people, and walked at a swift pace along the Via de' Bardi towards the Ponte Vecchio. She would go through the heart of the city; it was the most direct road, and, besides, in the great Piazza there was a chance of encountering her husband, who, by some possibility to which she still clung, might satisfy her of the Frate's safety, and leave no need for her to go to San Marco. When she arrived in front of the Palazzo Vecchio, she looked eagerly into the pillared court; then her eyes swept the Piazza; but the well-known figure, once painted in her heart by young love, and now branded there by eating pain, was nowhere to be seen. She hurried straight on to the Piazza del Duomo. It was already full of movement: there
