festival, at evening, the pile of vanities was to be set ablaze to the sound of trumpets, and the ugly old Carnival was to tumble into the flames amid the songs of reforming triumph.
This crowning act of the new festivities could hardly have been prepared but for a peculiar organization which had been started by Savonarola two years before. The mass of the Florentine boyhood and youth was no longer left to its own genial promptings towards street mischief and crude dissoluteness. Under the training of Fra Domenico, a sort of lieutenant to Savonarola, lads and striplings, the hope of Florence, were to have none but pure words on their lips, were to have a zeal for unseen good that should put to shame the lukewarmness of their elders, and were to know no pleasures save of an angelic sort—singing divine praises and walking in white robes. It was for them that the ranges of seats had been raised high against the walls of the Duomo; and they had been used to hear Savonarola appeal to them as the future glory of a city specially appointed to do the work of God.
These fresh-cheeked troops were the chief agents in the regenerated merriment of the new Carnival, which was a sort of sacred parody of the old. Had there been bonfires in the old time? There was to be a bonfire now, consuming impurity from off the earth. Had there been symbolic processions? There were to be processions now, but the symbols were to
