while the rough hand was thrust once more before Monna Brigida; for Bratti was not to be abashed by Romola's presence into renouncing a probable customer, and had quietly followed up their retreat. "Only four quattrini, blessing and all—and if there was any profit, it would all go to the poor."
Monna Brigida would have been compelled to pause, even if she had been in a less submissive mood. She put up one hand deprecatingly to arrest Romola's remonstrance, and with the other reached out a grosso, worth many white quattrini, saying, in an entreating tone—
"Take it, good man, and begone."
"You're in the right, madonna," said Bratti, taking the coin quickly, and thrusting the cross into her hand, "I'll not offer you change, for I might as well rob you of a mass. What! we must all be scorched a little, but you'll come off the easier; better fall from the window than the roof. A good Easter and a good year to you!"
"Well, Romola," cried Monna Brigida, pathetically, as Bratti left them, "if I'm to be a Piagnone it's no matter how I look!"
"Dear cousin," said Romola, smiling at her affectionately, "you don't know how much better you look than you ever did before. I see now how good-natured your face is, like yourself. That red and finery seemed to thrust themselves forward and hide expression. Ask our Piero or any other painter if he
