my arm behind her and my hand resting on her shoulder.
"Rosalie," I said, "don't cry, little girl. There's nothing to cry about. It's coming out all right—you wait and see."
She shook her head, her face still covered with her hands and her body rocking back and forth. Once or twice before, when she had been tired and nervous, I'd seen her on the edge of a breakdown; but she'd always managed to laugh and chatter it off. This time, however, the storm had caught her aback, and her body shook and shuddered under the struggle. Yet, game little girl that she was, she was as silent as a wounded bird for fear of disturbing Sœur Anne Marie.
I left her for a moment to close the door of the corridor. Rosalie tottered to the divan and flung herself down in the corner. Her sobs were almost convulsions, and I got frightened. There's only one thing to do when a woman gets to crying like that, and that is to comfort her, no matter what comes of it. So I sat down beside her on the divan, slid my arm under her shoulders and transferred the chestnut head and the round arms and all to my own chest. She pulled back a little at first, but feebly—then yielded; in fact, she went me one better, for her pretty, round arms slipped out of the kimono and went up round my neck and her tear-stained face was buried under the rim of my jaw.
For several minutes I held her so; and it must have been the best thing to do, because the sobs slowed down and stopped and her breathing grew quieter. To help the cure, I lifted her face and
