Page:Roze, Nicolas. Méthode de Serpent (1830).djvu/44

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$\version "2.20.1" \layout { system-count = #5 indent = #10 \context { \Score \omit BarNumber \override NonMusicalPaperColumn.line-break-permission = ##f } \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/32) } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace % indent = #10 instrumentName = "Roze" } << \new Staff \with { \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key bes \major \time 6/8 \tempo "Andante." g8. ^ "Different movements and different characters." fis16 g8 bes8. a16 g8 | f8. ees16 ees8 d8. g16 g8 fis8. a16 a8 g8. bes16 bes8 | a8. d,16 d8 g8. a16 g8 fis8. a16 fis8 g8. fis16 g8 | a8. d16 d8 d,4 r8 \fermata \tempo "Allegro." bes16[( c d ees) f8] g16[( a bes g)] f8 \break %\break g16( f ees d) c8 f16( ees d c) bes8 | bes'16( a bes a g f) e4 r8 c'16( b c g c bes) a4 r8 | c,16( f a g f ees) d( g bes a g f) e16( g c bes a g) f(g a g f e) \break \stemUp d16 ees f ees d c bes8 c c \override Stem.length-fraction = #0.7 \stemUp f, \stemDown f' f \stemNeutral \override Stem.length-fraction = #1 f r f fis4 fis8 fis4 fis8 | g16( fis g fis g d) a'( gis a gis a d,) \break bes'16( a g fis g d) bes'( a g fis g d) ees8.[ d16 ees d] ees8.[ d16 ees d] ees4 \fermata r8 r r d | g8. fis16 g8 bes8. a16 g8 f!8. ees16 ees8 d8. g16 g8 | fis8. a16 a8 g8. bes16 g8 \break fis8. d'16 d8 d,4 d8 | g8. fis16 g8 bes8.[ a16 g f!] f8.( ees16) ees8-! c'8. bes16 a g | g8.( fis16) fis8-! d'8. c16 bes a a8.( g16) g8-! aes g fis | g4 \p bes8 g4 bes8 | g4 r8 \bar ".." s4. \bar "" } \new Staff \with { \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key bes \major \time 6/8 r4 r8 g,8. a16 bes8 | c4. bes4 g8 \once \stemUp d'4 c8 bes4 g8 | \once \stemUp d'4 d,8 ees4 ees'8 \once \stemUp d4 d,8 ees4 ees'8 | \stemUp d8. d16 d8 d,4 \stemNeutral r8 \fermata << { \voiceOne bes'4 ^ "ad libitum" d8 ees4 d8 } \new Voice { \voiceTwo bes4 bes8 bes4 bes8 } >> \oneVoice %\break \override Stem.length-fraction = #0.7 r8 ees, \once \stemDown ees' r d, \once \stemDown d' \override Stem.length-fraction = #1.0 r \stemUp des des r c c r8 \stemNeutral e e r f f | a, r a bes r b c8 r c \once \stemUp d r d16 c %\break bes8 r bes16 a g8 c c \override Stem.length-fraction = #0.7 \stemUp f, \stemDown f' f \stemNeutral \override Stem.length-fraction = #1 ees!16( f ees f ees f) d16( ees! d ees d ees) \stemDown c( d c d c d) \stemNeutral bes8. a16 g8 fis4 fis8 \break g8 a bes g a bes | c c bes a a g fis4 \fermata r8 \tempo "Andante" r4 s8 % ---- typo: r4 r8 r4 r8 g8. a16 bes8 | c4 a8 bes4 g8 | d'4 d8 ees4. \break \stemUp d8. d16 d8 d,4 r8 | r4 r8 g8. a16 bes8 | c4. a8. bes16 c8 d8. ees16 d c bes4. | ees4. c8 d d \stemNeutral g,4 \p g'8 g,4 g'8 | g,4. \bar ".." s4. \bar "" } >>$

$\version "2.20.1" \layout { system-count = #1 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace indent = #10 instrumentName = "Roze" } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key a \major \time 12/8 \partial 8 a8 ^ "Modere, or Allegro non tanto." | a,4. cis4. e4. r8 a e | fis d cis b e e, a4 cis8 a4 r8 a'4. cis8 a cis b4. e,4. | fis8 gis a \override Stem.length-fraction = #0.6 \stemUp b,8 \stemDown b' a \stemNeutral \override Stem.length-fraction = #1.0 gis8 b gis e4 r8 \break } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key a \major \time 12/8 \partial 8 r8 | a,4. a4. a8 cis cis a cis cis d, d' cis b e, e a4 a8 a4 r8 | a cis e a, cis e gis, b e gis, b e \stemUp dis e fis b, cis dis e gis e e, fis gis \break } % ---- continued on next page ---- >>$

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