be more interesting or more instructive than to trace the progress of the Classical, the Mediæval, and the Indian styles through their ever-changing phases, or to watch the influence which one style had on the other. That progress was, however, always confined within the limits of a nation, or community of nations, and the influence limited to such nations as from similarity of race or constant intercourse were in position to influence reciprocally not only the architecture, but their arts and feelings. In order to establish this in the present instance, we must prove that there was such community of race and frequency of intercourse between the Channel Islands and Greece 1000 years B.C., that the latter would copy the other, or rather that 2000 years B.C. the Channel Islanders gave the Greeks those hints which they were enabled to elaborate, and of which the chambers at Mycenæ about the time of the Trojan war were the result. Had this been the case the influence could hardly have ceased as civilization and inter- course with other countries increased, and we ought to find Tholoi in great perfection in these islands, and probably temples and arts in all the perfection to which they were afterwards expanded in Greece. In fact, we get into such a labyrinth of conjecture, that no escape seems possible. It would be almost as reasonable to argue that the images on Easter Island, which we know continued to be carved in our day, were prehistoric, because they are so much ruder than the works of Phidias. The truth is, that where we cannot trace community of race or religion, accompanied by constant and familiar intercourse, we must take each people as doing what their state of civilization enabled them to accomplish, wholly irrespective of what was doing or had been done by any other people in any other part of the world. All that it is necessary to assume in this case is, that a dead-revering ancestral-worshipping people wished to do honour to the departed, as they knew or heard was done by other races of their family of mankind elsewhere, and that they did it in the best manner the state of the arts among them admitted of—rudely, if they were in a low state of civilization, and more perfectly if they had advanced beyond that stage in which rude forms could be tolerated.
It is much more difficult to trace the origin of the avenues
