voices were raised and feet began to beat time. Even so it did not occur to me that the thing would
'The Village that voted the Earth was flat!' It was easier now to see who were not singing. There were still a few. Of a sudden (and this proves the fundamental instability of the cross-bench mind) a cross-bencher leaped on his seat and there played an imaginary double-bass with tremendous maestro-like wagglings of the elbow.
The last strand parted. The ship of state drifted out helpless on the rocking tide of melody.
'The Village that voted the Earth was flat!
The Village that voted the Earth was flat! '
The Irish first conceived the idea of using their order-papers as funnels wherewith to reach the correct 'vroom—vroom' on 'Earth'. Labour, always conservative and respectable at a crisis, stood out longer than any other section, but when it came in it was howling syndicalism. Then, without distinction of Party, fear of constituents, desire for office, or hope of emolument, the House sang at the tops and at the bottoms of their voices, swaying their stale bodies and epileptically beating with their swelled feet. They sang 'The Village that voted the Earth was flat': first, because they wanted to, and secondly—which is the terror of that song—because they could not stop. For no consideration could they stop.
Pallant was still standing up. Some one pointed at him and they laughed. Others began to point, lunging, as it were, in time with the tune. At
