Which, of course, I have. That's Mary, Lady Marshalton. Old man Joshua painted her. Do you see any likeness to my Lord Marshalton? Why, haven't you ever met up with him? He was Captain Mankeltow—my Royal British Artillery captain that blew up my gun in the war, an' then tried to bury me against my religious principles.[1] Ya-as. His father died and he got the lordship. That was about all he got by the time that your British death-duties were through with him. So he said I'd oblige him by hiring his ranch. It's a hell an' a half of a proposition to handle, but Tommy—Mrs. Laughton—understands it. Come right in to the parlour and be very welcome.'
He guided me, hand on shoulder, into a babble of high-pitched talk and laughter that filled a vast drawing-room. He introduced me as the founder of the family fortunes to a little, lithe, dark-eyed woman whose speech and greeting were of the soft-lipped South. She in turn presented me to her mother, a black-browed, snowy-haired old lady with a cap of priceless Venetian point, hands that must have held many hearts in their time, and a dignity as unquestioned and unquestioning as an empress. She was, indeed, a Burton of Savannah, who, on their own ground, out-rank the Lees of Virginia. The rest of the company came from Buffalo, Cincinnati, Cleveland and Chicago, with here and there a softening southern strain. A party of young folk popped corn beneath a mantelpiece surmounted by a Gains-
- ↑ 'The Captive': Traffics and Discoveries.
