Page:Ruskin - The Seven Lamps of Architecture.djvu/285

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INDEX

  1. Abbeville, 131
  2. Abstraction, 128
  3. Agreeableness, sources of, in ornament, 55
  4. Animals, architecture of, 46
  5. Anselm's Tower, Canterbury, 65
  6. Antwerp Cathedral, 131
  7. Architectural deceits, 37
  8. Architecture, a political art, 2; to be distinguished from building, 8; the five heads of, 10; value of appearance of labour upon, 23; ornament in, 28 sqq.; violations of truth in, 36; metallic construction in, 42; of animals, 46; nobleness in, 54; fall of medieval, 69; imitates natural forms, 72; broad divisions of, 79; and painting, 87; mass and interval in, 88; domestic, 104; and primal forms, 111; ornamentation in, 121; proportion and abstraction in, 128 sqq.; colour and form in, 143; system of decoration in, 148 sqq.; finish in, 160; living, 167; and memory, 186; and posterity, 194; preservation and restoration in, 203 sqq.; and law, 215; and national employment, 220.
  9. Area, 79
  10. Art, life and deadness in, 157
  11. Audacity in imitation, 159
  12. Authority in style, 216
  13. Avranches, cathedral, 206
  14. Beauty, 106; and frequency, 109
  15. Beauvais, cathedral, 40, 75
  16. Bologna, Palazzo Pepoli at, 57
  17. Bounding-line, 77
  18. British Museum, 50
  19. Brunelleschi, 43
  20. Building and architecture, 8
  21. Byzantine architecture, 90
  22. Caen, Abbaye aux Hommes at, 60
  23. Certosa, of Pavia, 27
  24. Champagnole, reminiscence of, 184
  25. Chaucer, quoted, 228
  26. Church furniture, 50
  27. Cinque cento, 141
  28. Cis-Alpine Gothic, 92
  29. Clouds, philosophy of art of, 38
  30. Coleridge, quoted, 230
  31. Colleone chapel at Bergamo, 27
  32. Colour, how attained, 1; in sculpture, 142; and form, 141
  33. Colour-mosaic, 182
  34. Concavities, 101
  35. Conscientiousness in art, 36
  36. Conspicuousness, 50

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