between summer and autumn. Here a difficulty presented itself.
The bamboo flutes to which the Chinese months are referred being
but twelve, where shall be found the musical affinities of the earth?
But the Chinese philosopher did not find himself embarrassed.
See how he reasoned. The sound of the first flute, that is, of the
longest and largest, is the strongest and most grave, and, like
a bass, harmonizes with all the other sounds more acute. So the
earth, likewise, is the most important of all the elements ; it extends
towards all the cardinal points, and intervenes in the products of
each season. Hence the earth ought to correspond to the sound
of the first flute! These affinities extend to colours, tastes, and a
crowd of other categories."
The Khien-lung editors say:—
"Speaking from the standpoint of Heaven, then the earth is in
the midst of Heaven; that is, (the element of) earth. Speaking
from the standpoint of the Earth, then wood, fire, metal, and water
are all supported on it. The manner in which the way of Earth is
affected by that of Heaven cannot be described by reference to
one point, or one month. Speaking from the standpoint of the
heavenly stems, then wû and kî occupy the middle places, and
are between the stems for fire and metal, to convey the system of
mutual production. Speaking from the standpoint of the 'earthly
branches,' the khǎn, hsü, khâu, and wi occupy the corners of
the four points; wood, fire, metal, and water, all turn to earth.
This is what the idea of reciprocal ending, and that of elemental
flourishing, arise from. This may be exhibited in the several
points, and reckoned by the periods of days. The talk about the
elements takes many directions, but the underlying principle comes
to be the same!"
I shall be glad if my readers can understand this.
Page:Sacred Books of the East - Volume 27.djvu/316
Jump to navigation
Jump to search
282
THE Lî Kî.
BK. IV.
