the scholar, whose knowledge allows no man to fancy that he instructs him; the critic, who suffers no fallacy to pass undetected; and the reasoner, who condemns the idle to thought and the negligent to attention, are generally praised and feared, reverenced and avoided.
He that would please must rarely aim at such excellence as depresses his hearers in their own opinion, or debars them from the hope of contributing reciprocally to the entertainment of the company. Merriment, extorted by sallies of imagination, sprightliness of remark, or quickness of reply, is too often what the Latins call the Sardinian laughter, a distortion of the face without gladness of heart.
For this reason, no style of conversation is more extensively acceptable than the narrative. He who has stored his memory with slight anecdotes, private incidents, and personal peculiarities, seldom fails to find his audience favourable. Almost every man listens with eagerness to contemporary history; for almost every man has some real or imaginary connexion with a celebrated character; some desire to advance or oppose a rising name. Vanity often co-operates with curiosity. He that is a hearer in one place, qualifies himself to become a speaker in another; for though
