SANCTUARY
of creating palaces to have to restrict his efforts to the building of suburban cottages or the planning of cheap alterations in private houses.
Mrs. Peyton expended all the ingenuities of tenderness in keeping up her son's courage; and she was seconded in the task by a friend whose acquaintance Dick had made at the Beaux Arts, and who, two years before the Peytons, had returned to New York to start on his own career as an architect. Paul Darrow was a young man full of crude seriousness, who, after a youth of struggling work and study in his native northwestern state, had won a scholarship which sent him abroad for a course at the Beaux Arts. His two years there coincided with the first part of Dick's residence, and Darrow's gifts had at once attracted the younger student. Dick was unstinted in his admiration of rival talent, and Mrs. Peyton, who was romantically
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