the music down phrase by phrase, because they were incapable of picking up the melody where they had left it; the only way was to make them begin each time at the beginning, and carry the score a few notes further with every repetition. Moreover, it was discovered that Phineas seldom sang the same phrase in exactly the same notes, for the melody is overlaid with innumerable turns and ornaments at the will of the singer, and these are impossible to represent in our notation. Two hours at a time being as much as writer or singer could stand with safety, the work took several days, but, thanks to the good sense of Phineas and the patience of Webber, a valuable collection was ultimately made. For the notes I am, of course, indebted to Amherst Webber.
1. THE "ME‘E-TU‘U-BAKI,"
A good drawing of this dance is to be found in Cook's Voyages, and, as Mariner also has described it, I need say no more than that it is performed by men, drawn up in one line or two, who perform certain slow and stately evolutions, accompanying the music by twirling a light wooden instrument carved in the shape of a paddle. The rhythm is set by three large wooden drums, and a number of men sitting round them sing the words, which consist generally of a single phrase, endlessly reiterated. Unlike the Otukaka, the Me‘e-tu‘u-baki is not contrapuntal, and, though a number of voices maintain one note while the others sing the melody, it may be said to be sung in unison. To the European ear, despite its marked character, it is indescribably monotonous, for the words have no meaning, and the phrase is repeated for twenty minutes at a
